PAPER 103
CONCURRENT- QUALIFYING
LANGUAGE
CONCURRENT- QUALIFYING
LANGUAGE
Semester-II
Course-104
Theory of Indian Music
(i) Rudiments of staff Notation, Harmony, Melody, Polyphony.
(ii) Life and contribution of the following:
(a) Pt. V. N. Bhatkhande –His works and Notation System
(b) Pt. V.D Paluskar - His works and Notation System.
(iii) Masitkhani and Vilambit Gat, Razakhani & Drut
Gat, Krintan, Zamzama, Ghaseet, Jor Alap, Gitkiri, Meend, Sut, Kan
Internal Assessment
Course-104
Recommended Books
1. E. Clements - Study of Indian Music
2. Ra. Avtar ‘Vir’ - Theory of Indian Music
3. V. N. Bhatkhande - Bhatkhande Sangeet Shastra Part-I-II
4. Dr. Swantantra Sharma- Bhartiya Sangeet Ek Vaigyanik Vishleshan
5. Jagdish Narayan Pathak- Sangeet Shastra Praveen
6. V.S. Nigam - Sangeet Kaumudi Part-I-III
7. Music Profiles - Paschatya Swarlipi Paddhati evam
8. Swantantra Sharma - Bharatiya Sangeet
Practical-II
Course-105
Stage Performance & Viva Voce
Course-105
Stage Performance & Viva Voce
Alhaiya Bilawal,Vrindavani Sarang, Kafi, Jaunpuri
Vocal Music - Vilambit and Drut Khayal in all the Ragas, Dhrupad or
Dhamar should cover all the above Ragas.
Instrumental Music- Masitkhani and one Razakhani gat with elaboration in
all the above ragas.
Internal Assessment
Course-105
Recommended Books
1. V. N. Bhatkhande Kramik Putsaka Malika Part-I-III
2. V.R. Patvardhan Rag Vigyan Part-I-IV
3. Omkar Nath Thakur Sangeetanjali Part- I-IV
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