PAPER 112
CONCURRENT – DISCIPLINE
CENTERED - I
CONCURRENT – DISCIPLINE
CENTERED - I
Semester – V
Course – 113 Theory History of Indian Music
i) Vedic Music: Sama and stobhaksharas, the notes of Vedic
music, Gramgeya gana, Aranyageya gana, Poorvarchicka,
Uttararchicka, Udatta, Anudatta, Swarita, Vedic and Loukik
scales, Panchvidha & Saptavidha sama, Vedic instruments
ii) Musical references in Ramayana, Mahabharata and Puranas
(Harivansh & Vayu Puranas)
Internal Assessment
Course – 113
Recommended Books:
1. Swami Prajanananda Historical Development of Indian Music
2. S.S.Paranjape Bharatiya Sangeet Ka Itihasa
3. Thakur Jaidev Singh Bharatiya Sangeet Ka Itihasa
4. Swami Prajnanananda History of Indian Music
Course – 114 Practical - V Stage Performance
Gaudsarang, Pooriya Dhanashri, Kedar, Kamod, Chayanat
Performance of half an hour, planned by the candidate within the above
prescribed ragas.
Vocal Music - i) Vilambit and Drut Khyal with gayaki to be presented
in any one raga.
ii) Dhrupad-Dhamar or Sadra composition in each of the
prescribed Ragas. Alap, Layakari & upaj in any one
Dhrupad & Dhamar with layakary & upaj in any other
ragas.
Instrumental music-i) Masit khani and razakhani gats with elaboration to
be presented in any one raga.
ii) Gat with elaboration in any 3 of the following Talas –
Dhamar, Ektal, Jhaptal, Ada-Chautal
Internal Assessment
1. V.N.Bhatkhande Part-IV
2. S.N.Ratanjankar Abhinavgeet Manjari
3. Omkarnath Thakur Sangeetanjali Part-I-VI
4. V.R. Patwardhan Rag Vigyan Part-I – VII
Course – 115 Practical – VI Viva Voce
gayaki in each of the prescribed ragas of course-110. For instrumental
music, Masit khani and razakhani gats with elaboration in all the
prescribed ragas of Course
Internal Assessment
Course-116 Theory- Applied Musicology
Darbhanga) and Khayal (Gwalior, Agra, Delhi, Jaipur, Kirana) and
their significant features regarding techniques.
ii) Gharanas of Instrumental music and their leading styles (Senia,
Maihar, Gauripur)
iii) Detailed and Comparative study of the Ragas prescribed in Ist,
IInd and IIIrd year.
iv) Study of Hindustani musical forms - : Alap, Dhrupad, Dhamar,
Sadra, Khayal, Thumri, Tappa, Tarana, Chaturang, Raga Sagar
Internal Assessment
Course – 116
Recommended Books
1. V.H.Deshpande Indian Musical Tradition
2. Dhrupad Annual Edited by Premlata Sharma
3. V.K.Aggarwal Indian Music : Trends and traditions
4. S.K.Chaubey Sangeet me Gharana ki Charcha
Sangeet Gharana Ank
5. Shanno Khurana Khyal Gayaki Vividh Gharana
6. M.R.Guatam Musical Heritage of India
7. V.N.Bhatkhande Bhatkhande Sangeet Shastra Part-I-III
